Deciding what to do next with a looming deadline for the framers should be clear and straight forward but it's not.
Painting, collage, text and photography are starting to collide. There has always been a meeting point for different elements of my work in my brain but I have never found a happy conclusion to my experiments on paper. If I keep it all on the computer yes I've had successful outcomes like in the legacy series or in the 'Footprint in my heart' exhibition. But I want to push it further I'm not fully content with leaving it all on the computer and getting a digital print it is not totally what I want to create in this moment.
Solving my own transference of images, photography, text... making printing stamps, layering images before and after I paint them. Giving myself enough time to complete the experiments and the process of my work is critical for visually excellent work. I am my own biggest critic. It does not make it past my studio desk unless I am satisfied with it and oh boy! you should see that criteria.
The transfer medium that arrived in the studio yesterday is not quiet what I had in mind. When you follow the instructions you are left with a plastic see through image. If you paint the medium on the image and place it immediately on a painting, burnish it before it drys you are left with white paper residue.
Creative Art Practice of Roisin Markham, the home to her studio, ideas, workshops, resources, books, computer, boxes of magic & art materials. Basically the world that evolves around her creativity. Sister blog to creativedynamix.blogspot.com
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