Saturday, February 5, 2011

Finding a bridge

Bridge, Marlay Park Series 2007, Roisin Markham
I am posting this here as a point of departure and arrival. When we find ourselves stuck there is always a signpost even within the quagmire of being stuck.
The above image started as one of my photographs as part of the 'Footprints in my heart' exhibition. It was altered in Photoshop to give it a print process feel. My modern approach to screen printing or photo-plate etching with out the equipment, inking up process, toxic smells, registration frustrations and cleaning up. However if I had access to that equipment and process I reckon I would be making prints. I love prints and the print making process. But my studio space, computer skills and limited time in the studio produced this.
Writing about it now I see it opened the doorway to using the computer to edit what I wanted to express. Much in the same way the digital photography process removes the chemical processing and hands on printing it is my response to control over the images. The sophistication of technology means that I can take images and manipulate them further to give variations of creative expression. But is it processing and manipulation for the sake of it?
Photography has been made more accessible, democratised if you will. But as a photographer what does that mean for me if it is a basic form of visual communication. Is that why my response has been to process my images further? No, but it is a good question.
My response to process my images further is to add layers of meaning with out adding explanation. Post editing my work means I express further the context of the image for exhibition. In which it sits as a chapter of a story being told. An evolving example of this is my Legacy project.
But what of the images I take on a regular basis? Some of them would make fantastic prints in there own right. But can't everyone take great images to print and make their own for their walls? Should I be doing more with my photography?
What do you think?

Tuesday, February 1, 2011

Making work with intent

The love vibration. Roisin Markham, Hand rolled felt scarf. 2010.
Recently I have started making work for others with paying particular vibrational intention in the creation, making and packaging of felt. So as valentines day approaches if you would like something special for the loved one or organise a gift from someone special in your life. Call me lets discuss your budget and see what I can make for you.

Saturday, January 22, 2011

Do you mind map?

Mind mapping is a fantastic technique I use when I want to get all my ideas out, vision forward and clear my brain so new ideas can come in. I am often fascinated that people are not aware of mind maps. It can be as simple or as complicated as you want to make it, same goes for the teaching of it.
I'm a fan of paper rather then software when it comes to Mind mapping as will be demonstrated by the contrasting images below.
Roisin Markham, Mind map 2010 
Roisin Markham, Mind Map Bursary Application

Do you know the technique? What do you use mind maps for?

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