The experience of making a large labyrinth on the beach was quite physical. I have started to make small works using drawing and thinking about labyrinths. my studio is in danger of being over taken.
I think at my exhibition space during the Fringe at Wexford Festival Opera I will run a workshop exploring the purposeful pathway of creativity and the metaphor of labyrinths. I'm having so much fun with the shapes and expressing the basic labyrinth.
It is made with oil pastels and charcoal. A particularly messy tactile affair to create and gives a great effect and texture. I go back to the technique during process work. I had taken a container of buttons out and picked out some white ones laying them on the charcoal path. My youngest got very excited and wanted to help. For some reason I rejected all but the palest of buttons allowing some flat 'shine-ies'. This was the result which my eight year old also found to be fascinating. Both boys spent over thirty minutes tracing their fingers over the buttons and discussing it. So now I am working on several process pieces involving maps, text, labyrinths, collage, pastels, tracing paper, tissue paper... pva and paint will follow. Something interactive perhaps too.
You know at exhibitions there are often signs saying "Don't touch" I've long haboured a passion to make work that has a si...